Interviewing Local Craftspeople About Traditional Building Skills

Every neighbourhood has a story worth telling – the bakery that became a betting shop, the school that welcomed evacuees, the factory whistle that once marked the start of the day. A community heritage display in your local library can bring those stories together in one place, free for anyone to enjoy. It does not need a huge budget or a team of experts. With a bit of planning, some careful gathering, and clear design, you can create something that delights regulars and draws in new visitors. Here is how to do it well.
Start by Partnering with Your Library
Your first port of call should be the library manager or local studies librarian. They can tell you what space is available – a locked glass case, a wall panel, a table in the foyer – and what their exhibition policy requires. Ask about footfall, security, and whether you can use the library’s own local history collection. A good partnership means sharing the workload: they provide the venue and perhaps a display case; you bring the research, the objects and the volunteers. Agree dates well in advance, including installation and takedown. And remember to check insurance and condition reporting for any loans. If you are borrowing an object from a neighbour, a simple written agreement protects both of you.
Gathering Photographs, Objects and Oral Recordings
Put out a call through local newsletters, social media groups and noticeboards. Be specific: ‘We’re looking for photos of the high street between 1950 and 1980’ works far better than ‘old photos wanted’. Always ask for digital copies rather than originals – scan at 300dpi or higher, saved as TIFF or high-quality JPEG. For objects, choose items that are robust and meaningful: a school bell, a factory tally, a bus ticket, a baby’s christening gown that has been in the family for generations. Avoid anything fragile, valuable or hazardous. If in doubt, photograph the object and display a facsimile. Label every item with the donor’s name and a contact number as soon as it arrives.
Recording and Editing Oral Histories
Oral history adds the human voice, and it is often the most memorable part of a display. Borrow a digital recorder from a local historical society or university, or use a smartphone with an external microphone. Record in a quiet room, test your levels, and always get a signed consent form that covers future use. Ask open questions: ‘What did the market smell like on a Saturday morning?’ rather than ‘Did you like the market?’ Let silence do its work – people often add the best details after a pause. Transcribe two or three sentences per speaker for your labels, and keep the full recording for the archive. For the display itself, provide headphones and a simple ‘press to play’ button. Keep each clip under three minutes; any longer and people drift away.
Designing Labels That People Actually Read
A good label answers three questions: what is it, where did it come from, and why does it matter? Write in plain English, active voice, and keep sentences short. Use a clear sans-serif font such as Arial or Verdana at 18–24pt for body text. Headings should be 36pt or larger. Ensure strong colour contrast – dark text on a light background, or vice versa – and avoid glossy laminates that catch the light. For each object, include a brief caption and a longer panel for context. Use bold to highlight key names or dates. If you are displaying a photograph, say who took it, when, and what we are looking at. Never assume knowledge.
- Keep it short: 50–80 words per label is plenty.
- Use a hierarchy: a headline, then two or three sentences of explanation.
- Be specific: ‘This brick came from the Kiln Lane works’ beats ‘old brick’ every time.
- Check your facts: ask a local historian to proofread before you print.
Panels, Layout and Looking After the Display
Think of your display as a story with a beginning, middle and end. A central panel should introduce the theme, then smaller panels can explore sub-topics. Place the most eye-catching object at eye level – roughly 1.5 metres from the floor. For wall panels, use foam board or mounted card, and fix them securely. Leave space between items so people can see them clearly. Lighting should be LED and low-heat; avoid direct sunlight, which fades photographs and textiles. If you are using a locked case, rotate objects every three months to limit light exposure. Add a comments book and a simple feedback form. Finally, plan a launch event – a talk, a cup of tea, a chance for contributors to meet. After the display comes down, offer the material to the local record office or the library’s permanent collection, and keep digital copies safe on two separate drives. That way, the stories you have gathered will still be there for the next generation.
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